July 19, 2010
It’s been awhile, but with Creed a full-time PVD resident, I figured we’d get back to l’il Rhody soon enough, and this time we make our debut at the town’s most legit venue (heck it’s sanctioned by the state!)…
click here to download one to print up and put up around Providence! cbopas220
July 9, 2010
So we’ve been a bit dormant of late, but we’re about to have a wave of concerts where we play almost weekly… check this out:
Wednesday 7/21 – House of Blues, Boston
Saturday 7/31 – AS220, Providence RI
Friday 8/6 – PA’s Lounge, Somerville
Saturday 8/14 – Umbrella Gallery, Fitchburg
While this week has been too hot to think, make sure that you remember to come out to at least one of these!
June 1, 2010
Want a copy of that new album? Come and download it all, as well as some of or back catalog…
Listen and comment… download and share!
May 17, 2010
Over Winter break, we recorded at WMBR with Ramsey Tantawi while he was back in town. After lots and lots of cutting and pasting we’ve finally got it into some digestible portions. And I think I’ve found a site to host the tunes and most of our back catalog so you can download for free or donate to us…
The new album is full of tunes that express palindromes in both literal and figurative ways. Heck the middle track on the album even stops midway through and goes back to the start.
Racecar? A Toyota Racecar?
Boston Did Not Sob
Drab As A Fool, As Aloof As A Bard
Elf Farm Raffle
Yell Or Trolley
No Trace; Not One Carton
Rats Live On No Evil Star
I Roamed Under It As A Tired Nude Maori
Mr. Owl Ate My Metal Worm
Saginaw Swan I Gas
Never Odd Or Even
So Many Dynamos
Do Geese See God?
April 26, 2010
It seems like it’s been ages since we’ve been on stage at the venue where we made our debut, but with some DC folks looking for a gig, we’ve got it lined up…
Download 06/01 CBOP Flyer here
Tuesday, June 1, 2010
CBOP, Moon Pie, Space Tigers, Turtle Ambulance
345 Somerville Ave, Somervile MA
January 27, 2010
January 25, 2010
Truth be told, there was no storm, but by the end of the night, CBOP had certainly put our stamp on the Brooklyn landscape. We planned on splitting costs for getting down here among the four of us, but our check at the end of the night covered our vehicle costs.
The Issue Project Room is a fantastic space in Brooklyn, and the 3rd floor aspect of loading in was tempered by a giant elevator that fit all of our gear. Kyle showed up from Philly and slipped into the spot we left on the stage for him (we didn’t have to tear down after sound check as both Forma & AR Plovnick set up in front of it all).
We got recordings from 3 different microphones that we’re working to combine and give a full picture of the show, but to make it easier, Kris’ pal Bob Dene filmed the entire evening.
Afterwards, Ann took Andy, and fueled by a bag of White Castle, Kris and Creed and I drove out to Long Island’s North Fork and woke up on the beach instead.
After filling up on bagels and wandering around Greenport, we hopped on the ferry at Orient Point and cut hours off our driving time by landing in New London. Creed spent most of the time with his nose in the Satchmo bio my mom gave me for Christmas…
We made it home safe and sound. Credit where credit is due, it seems like our good fortune was due in large part to our trip mascot Hippie.
Thanks to everyone who came to see us or played with us or even thought about showing and want us to come back to NYC soon…
January 9, 2010
We’re a ‘good value’ tonight if you pick up a hard copy of Time Out NY. http://newyork.timeout.com/events/music/319527/concord-ballet-orchestra-players-forma-ar-plovnick (that’s just info, alas, the pick is only in the print version…
We’re at the Issue Project Room in Brooklyn tonight with Forma (f. Mark Dwinell from Bright & non-loc) and AR Plovnick. AR is providing visuals for the evening as well…
3 floor of the Old American Can Factory at the corner of 3rd St & 3rd Ave. And they’ve been cranking the heat so it’s real warm inside, and this sea of keyboards will make you drool…
August 31, 2009
Come One Come All… To The Greatest Show On Turf!
August 14, 2009
CBOP takes the Joe Cocker role by opening the Sunday celebrations. Odds are good that there won’t be a rain delay inside the Cambridge YMCA after we play and before Country Joe & the Fish start, so when we say to be here before our 1PM start time, we mean it. Here’s a link to the Whitehaus’ page about all of this with band descriptions and info: http://whitehausfamilyrecord.com/blastzone/weirdstock/
Here’s a story I wrote for Boston Band Crush about the thing:
I don’t think that anyone was ever expecting the theater inside the Cambridge YMCA to double for Yasgur’s Farm, but this weekend that convergence will happen with WEIRDSTOCK! It’s a three day festival featuring some of the strangest sounds from all around New England that is being presented by the folks from Whitehaus Family Record.
Starting at the strike of 6PM on Friday with Jacob Mashak and continuing through the weekend until Devil Music wraps things up late on Sunday night, the air around Central Square will be filled with some very weird sounds.
I sat down with festival ringleader Shane Donnelly to learn whether the rumors are true about a possible appearance from someone who appeared on the original Woodstock stage 40 years ago this weekend.
Here is where we were going to post a video, but it crashed as we recorded it so let’s see if we can recap instead.
BBC: Why on earth did you do this in the middle of the Summer?
Shane: Is it the middle of the summer? It feels more like late summer. Anyway, I originally was planning on this for May, but I quickly realized I would need more time to plan an event of such proportions, and the coming Woodstock anniversary seemed like an appropriate deadline.
BBC: Labor Day’s not until September 7th, so there’s more Summer left than you think, but an anniversary like that does make things easy. But why did you make this event so weird?
Shane:Weird is a weird word. And highly subjective. What’s weird to one person may seem normal to another. But personally speaking, weird music is something that excites me because it tends to be innovative and challenging. There’s also so much weird music being made today, while still managing to be a very diverse category
BBC: What made you decide what bands were weird enough to be involved with this festival?
Shane: It was tough, definitely. I was trying to find acts that had a unique sound and shied away from conventional methods. I also wanted to show how very eclectic the experimental realm is, so I tried to pick an array of acts that expressed a variety of different sub-genres: drone, noise, garage/psych, electronic, avant minimalism, spoken word, etc.
BBC: We’ll let you get to bed. One last question. If you could have one band from the original Woodstock Festival play at Weirdstock, who would you choose as weird enough for Weirdstock?
Shane: Woodstock just wasn’t that weird. Hendrix is the obvious answer, but a lot of the stuff is pretty normal. How about the Incredible String Band.
While at the time most people saw the hippies as the weirdest of the weird, looking back through our modern filters, they are relatively normal. It’ll be interesting to see if the bands playing Weirdstock will be seen as normal 40 years from now.